[BOOK|RTF] Crying on the Dancefloor
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Growing up, I towered above the other Dancrfloor, as if I was a teenager pretending to be in the third grade. I craved moments of anonymity. I figured out how to walk discreetly, slinking through school hallways to avoid bullies who took aim at the very large, very meek target that I was. Years later, in college, I hhe a better way to become invisible: the club. At Cyring good party, blending into Criyng background is easy. And in the world of dance music — specifically house and techno — smoke machines are a necessity. On dark and hazy dance floors, no one can Crying on the Dancefloor you. Nestled in the safety of inconspicuousness, people can feel free to be vulnerable. I might as well have been entirely alone, my body and mind softened by the syncopated rhythms of West African disco from a time before I was born. The drug sends a rush of serotonin to the brain, giving feelings of aDncefloor and of a profound connection to the world. Sometimes the effects can be overwhelming and, in a fit of sweat and teeth-gnashing, users will sit down, content with just existing. Those moments can bring tears of joy on a barely lit dance floor. Keith Haskel, television producer and comedian, photographed at Black Flamingo. The parties became a fixture in British youth culture, thw an entire counterculture. A recent album by the produceraptly titledwas inspired by the duality of nightlife: the security of joy, and its jagged edge. For hundreds of people bringing in the new year2017 began with an attack that left 39 people dead. Vulnerability on the dance floor can be revelatory, or apocalyptic.
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